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Situated on a peninsula-like area of land, on the east side of
the I-15 and south of the I-8 rests this truly is a magical neighborhood
of established homes. Almost a historical neighborhood –most
were built in the ‘20’s and ‘30’s- mainly
single family homes with the distinctly authentic Southern California
mix. The majorities of homes here are in excellent condition and
have loads of curb appeal together with an unmistakable charm.
Going to and from Kensington is easy and convenient. Freeway route
would be to take the I-15 and exit off Adams towards the East. (A
back way is to take the much less traveled Freemont Avenue) A couple
of traffic lights make a left and you are there. Best known streets
are Kensington Drive, Marlborough Drive, Canterbury Drive, but there
are smaller streets which are equally delightful. Most of the usual
ugly telephone polls that are normally in front of homes in this
part of the city are mostly located way behind the homes leaving
a fresh and uncluttered look.
Kensington’s character was the result of the noted developer,
Davis Baker of Pasadena. His homes in Pasadena are the most treasured
even to this day and for good reason. In Kensington, he wanted to
emulate the styles of homes he had seen in his various trips to
Andalusia, Spain. Landscaping is very mature and spectacular. Yet
driving though this gorgeous neighborhood not only do we see some
of the areas most beautiful style of Spanish adobe homes but also
the earlier period bungalows*, Tuscan villas, and English Tudor.
After all, the name Kensington was taken from one of London’s
boroughs and the streets were given English names.
Driving though Kensington one can see the immense pride that homeowner’s
have in this neighborhood…the landscaping is manicured and
the homes here are maintained as one of the city’s finest
residential areas. Some of the homes have expansive canyon views.
Sidewalk cafes, restaurants, a classic old theater it’s all
here - yet easy access to the freeways. I should also mention this
neighborhood is essentially noise free due to its unique location
high above on a mesa.
The only drawback in many of these homes is the size of the bedrooms
and lack of closet space. But don’t tell that to anyone who
lives here, since everything else makes up for these nuisances.
Personally, this happens to be one of my choice neighborhoods in
all of San Diego!
At the turn of the century bungalows took America by storm. These
small houses, some costing as little as $900, helped fulfill many
Americans’ wishes for their own home, equipped with all the
latest conveniences. Central to the bungalow’s popularity
was the idea that simplicity and artistry could harmonize in one
affordable house. The mania for bungalows marked a rare occasion
in which serious architecture was found outside the realm of the
rich. Bungalows allowed people of modest means to achieve something
they had long sought: respectability. With its special features
– style, convenience, simplicity, sound construction, and
excellent plumbing – the bungalow filled more than the need
for shelter. It provided fulfillment of the American dream.
The bungalow was practical, and it symbolized for many the best
of the good life. On its own plot of land, with a garden, however
small, and a car parked out front, a bungalow provided privacy and
independence. To their builders and owners, bungalows meant living
close to nature, but also with true style.
But what is a bungalow anyway? Where does the term come from? And
what is so great about this architectural style?
Most dictionaries are explicit: a bungalow is a one- or one-and-
a-half story dwelling. Good enough, except that since the period
when most bungalows were constructed – roughly 1880 to 1930
in the United States – literally every type of house has at
one time been called a bungalow. Two-story houses built on the grounds
of hotels are still called bungalows, for example. And to further
muddy the definition, the great Southern California architect Charles
Sumner Greene went out of his way to call his Gamble house (1909)
in Pasadena, Calif., a bungalow. Instead, the Gamble house is a
sprawling two-story residence with a third-floor pool room.
A bungalow’s distinction is its low profile. There are no
vertical bungalows even though in a few cities such as Sacramento,
Seattle and Vancouver, British Columbia, the basically horizontal
house type is raised on high foundations. Promotional literature
in the early 20th century almost always noted the chief purpose
of the bungalow: to place most of the living spaces on one floor.
The advantages are obvious–the absence of a second story simplifies
the building process. Utilities can be installed more easily than
in a two-story house. Safety is at a premium because, in the event
of fire, windows as well as doors offer easy escape. Best of all,
the bungalow allows staircases to be eliminated, a boon for the
elderly and also for the homemaker, who can carry out household
tasks without a lot of trips up the stairs.
The origin of the bungalow has its roots in the Indian province
of Bengal. There, the common native dwelling and the geographic
area both had the same root word, bangla or bangala. Eighteenth
century huts of one story with thatched roofs were adapted by the
British, who used them as houses for colonial administrators in
summer retreats in the Himalayas and in compounds outside Indian
cities. Also taking inspiration from the army tent, the English
cottage, and sources as exotic as the Persian verandah, early bungalow
designers clustered dining rooms, bedrooms, kitchens, and bathrooms
around central living rooms and, thereby, created the essential
floor plan of the bungalow, leaving only a few refinements to be
worked out by later designers.
Almost inevitably, this economical, practical type of house invaded
North America in the late 19th and early 20th centuries. The first
American house actually called a bungalow was designed in 1879 by
William Gibbons Preston. Contrary to the usual definition, it was
a two-story house built at Monument Beach on Cape Cod, Massachusetts.
It was probably called a bungalow because it resembled resort architecture.
From the East the idea spread westward. Naturally, California –
in everyone’s mind the ultimate resort – was a promising
locale for bungalows. Land was relatively cheap, and the possibility
of affordable and comfortable housing was attractive to the young
on the make, the sick on the mend, and the old on modest pensions.
The first California house dubbed a bungalow was designed by the
San Francisco architect A. Page Brown for J.D. Grant in the early
1890s. A true bungalow, this one-and-a-half story residence was
set on a high foundation and located on a hillside. It was a strange
blend of Bengalese, Queen Anne and Swiss chalet architecture.
The bungalow craze took off after the turn of the century, during
an era in which Americans were obsessed with the notion of health
or simply attracted to economic opportunities in the booming West.
Before World War I, a small bungalow could be built for $900. A
good-sized bungalow cost maybe $3,500.
Ironically, the bungalow that had once been the symbol of retreat
to the countryside became the architecture of the city and its suburbs.
Yet the bungalow did not lose its identification with the rural
idyll and a better, golden day. Be it ever so humble, it embodied
an ideal for the majority of Americans – the free-standing,
single- family dwelling set down in a garden – an ideal that
clings to us today.
Courtesy of American Bungalow Style - by Robert Winter
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